Digital Cameras – Meai Modelisme http://meai-modelisme.com/ Sat, 18 Sep 2021 02:59:44 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://meai-modelisme.com/wp-content/uploads/2021/06/cropped-icon-32x32.png Digital Cameras – Meai Modelisme http://meai-modelisme.com/ 32 32 Stunning Xiaomi 11T Pro Launch, Samsung Galaxy S22 Leaks, More Nokia Bond-Age https://meai-modelisme.com/stunning-xiaomi-11t-pro-launch-samsung-galaxy-s22-leaks-more-nokia-bond-age/ https://meai-modelisme.com/stunning-xiaomi-11t-pro-launch-samsung-galaxy-s22-leaks-more-nokia-bond-age/#respond Fri, 17 Sep 2021 22:31:03 +0000 https://meai-modelisme.com/stunning-xiaomi-11t-pro-launch-samsung-galaxy-s22-leaks-more-nokia-bond-age/ Returning to seven days of news and headlines across the Android world, this week’s Android tour features the new Xiaomi 11T and 11T Pro smartphones, the latest Galaxy S22 leaks, Google reveals Pixel 6 in public, Realme and the chip shortage, leaked Surface Duo 2 specs, Nokia Bond-age plus and Razer’s exciting gaming accessory. Android […]]]>

Returning to seven days of news and headlines across the Android world, this week’s Android tour features the new Xiaomi 11T and 11T Pro smartphones, the latest Galaxy S22 leaks, Google reveals Pixel 6 in public, Realme and the chip shortage, leaked Surface Duo 2 specs, Nokia Bond-age plus and Razer’s exciting gaming accessory.

Android Circuit is here to remind you of a few of the many things that have happened around Android over the past week (and you can find the weekly Apple News Digest here).

Xiaomi launches new cinema-focused handsets

This week, Xiaomi launched the new Xiaomi 11T and Xiaomi 11T Pro, as well as the update of the Xiaomi 11 Lite 5G NE. Another change to note is that this is the Xiaomi 11T, not the Mi11T. As announced earlier in the year, Xiaomi is streamlining its brand image. The new handsets rely heavily on imaging, with 11T Pro sports computer processing for new filters, modes and processing of large amounts of video footage. Extract from the press release:

“Not only does Xiaomi 11T Pro offer a lot of performance, it also has a powerful triple camera configured with a professional-grade 108 MP wide-angle, 2x telemacro and a 120 ° ultra-wide-angle lens. , the smartphone has impressive computer filmography capabilities with one-click AI cinema modes, 8K recording and HDR10 +, allowing users to capture footage with the same intelligent ISO technology found in digital cameras. ”

One of the biggest advantages is the fast-charging battery, with the 5,000-man battery going from empty to 100% in seventeen minutes. And while the 11T Pro shares numbering with the Mi1, it’s not just a small spec upgrade:

“The 11T Pro is an entirely different phone from the flagship Mi 11 released earlier this year. It has a different, more square design with a plastic back, although the specs are similar – there’s still a Snapdragon 888 processor and a 108 megapixel camera. The screen is a 6.67-inch 120 Hz 1080p OLED panel without curves on the side, unlike the Mi 11. “.

(The edge).

Galaxy S22 Limits Camera Advantage

Samsung’s next-gen smartphone family, the Galaxy S22, is easily shifted from the iPhone jamboree and is expected to launch in early 2022. Details are coming out of the supply chain on specs and features, and the latest ones suggest that The S22 and S22 Plus main cameras will receive a bump up to 50 megapixels with the ISOCELL GN5, but it won’t be Samsung’s high-end sensor.

“We would have liked the next high-end phones from the South Korean company to use the ISOCELL GN1 (1 / 1.31 inch) or the ISOCELL GN2 (1 / 1.12 inch) because the two sensors are bigger. than the ISOCELL GN5 and can capture better images with larger native pixels. “

(SamMobile).

Mr. Pixel 6 goes to New York

The eagle-eyed snappers spotted Google’s Pixel 6 in the real world and were able to get a good look at the design of the camera strip on the back of the device. Considering the handset is proudly on display in the Google Store in New York City, I’m not sure if that counts as a leak or smart marketing designed to go viral.

“For anyone interested in seeing the Pixel 6 and Pixel 6 Pro for themselves, viewing the phones should be as easy as visiting the Google Store in New York. The store’s official name is ‘Google Store Chelsea’, located at 76 9th Ave, New York, NY 10011 (minutes from Chelsea Market) It is open 10 a.m. to 8 p.m. daily, except 11 a.m. to 7 p.m. on Sundays. Pixel 6 line-up date would be great, but it’s the next best thing so far. “

(Presenting).

Realme 9 hit by chip shortage

RealMe CEO Madhav Sheth spoke of the problem which is close to the surface for many smartphone makers, with the current chip shortage choking supply chains around the world. This has impacted the Realme 9 product line which is expected to launch next year.

“We have addressed this issue through close discussion with chip makers and the Realme 9 series will reach users in 2022. Despite the chipset shortage that has caused many products from multiple brands to lag behind, Realme has still managed to launch Realme 8i with India’s first Helio, G96 processor in our 4G range, and Realme 8s 5G with the world’s first Dimensity 810 in our 5G range.

(GSM arena).

Surface Duo 2 specs should impress

With a major launch event next week, Microsoft is expected to launch a number of new Surface products. While the focus will be on machines running Windows 11, an updated Surface Duo is also on the cards. The first Surface Duo proved the concept, albeit with specifications a year or less behind the major flagships, but the Surface Duo 2 looks as up-to-date as it gets.

“The next Surface Duo is under serious pressure to be delivered. After a rough launch with the Surface Duo 1, which shipped with outdated hardware and buggy software, Microsoft focused on making the Surface Duo 2 a better phone from the get-go. According to my sources, Surface Duo 2 will include a Snapdragon 888 processor with 5G capabilities, a new camera system, better displays, and NFC. “

(Windows Central).

Is a Nokia in your pocket?

Last week the question of which Nokia brand phone was going to feature in the latest James Bond film. HMD Global has now confirmed that the device is the beefed up Nokia XR20 released last month. Oddly enough, the handset wasn’t available when ‘No Time To Die’ was filmed in October 2019. Ah the delights of editing and post-production covers.

“Nokia phones are built to last with their build quality, industry-leading security updates and Android upgrades, making them the perfect phone even for an 00 agent. Rugged, tough and durable. test of life, the new Nokia XR20 is Nokia’s latest 5G smartphone. to appear in a Bond-inspired television series with British actress Lashana Lynch… “

(Nokia.com).

And finally…

This week has seen one of the most innovative developments in the gaming world hit the market… I think. Razer launched the “Razer Gaming Finger Sleeve” for mobile gamers. Silver shafts offer improved tactile sensitivity with reduced friction, two qualities that players seek an edge over competitive games. I wonder how long before the esports league decides they are giving too many benefits?

Slip on and never slip with the Razer Gaming Finger Sleeve that will seal your mobile victory. Woven with high-sensitivity silver fiber for enhanced aim and control, our breathable sleeves keep your fingers cool in the heat of the moment. , so you always have a grip on the game. “

(Razer).

Android Circuit provides updates on the news from the Android world every weekend here on Forbes. Be sure to follow me so you don’t miss any coverage in the future, and of course read the sister section in Apple Loop! Last week’s Android Circuit can be found here, and if you have any news and links that you would like to see featured in Android Circuit, get in touch!


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GoPro Hero 10 black action camera: first look https://meai-modelisme.com/gopro-hero-10-black-action-camera-first-look/ https://meai-modelisme.com/gopro-hero-10-black-action-camera-first-look/#respond Thu, 16 Sep 2021 21:43:35 +0000 https://meai-modelisme.com/gopro-hero-10-black-action-camera-first-look/ What’s new in the GoPro Hero 10 Black? The Shu / Initiate The highlight of the Hero 10 is the new GP2 processor, the successor to the GP1 which was introduced in the Hero 6 in 2017. The GP1 has enabled GoPro to add high-end features and functions to the Hero series, such as than […]]]>

What’s new in the GoPro Hero 10 Black?


The Shu / Initiate


The highlight of the Hero 10 is the new GP2 processor, the successor to the GP1 which was introduced in the Hero 6 in 2017. The GP1 has enabled GoPro to add high-end features and functions to the Hero series, such as than

4K
video, high-resolution photos, image stabilization, multiple frame rates, new shooting modes, support for uncompressed RAW files, and more. With the GP2, we’re seeing performance improvements in many of these existing features, as well as the overall operation of the camera – GoPro claims that the GP2 doubles the performance of GP1 in Hero 9 Black.

Better quality video and photo capture

The GP2 processor boosts photo resolution up to 23 megapixels (for comparison, on paper, the new Apple iPhone 13 Pro supports 12 megapixels). The advantage of having more megapixels allows you to have more detail, and you can crop in them while maintaining the quality.

The video, which is the hero’s strength, is where we see big jumps. The Hero 10 can shoot up to 5.3K at 60 frames per second (FPS); 4K up to 120 FPS; and 2.7K at 240 FPS. High frame rates let you shoot much smoother videos and control speed, while higher resolutions provide more detail.

While 1080p is still good enough for most people (although that argument is starting to falter), which the Hero 10 also supports, these higher resolutions and frame rates will appeal to content creators, filmmakers, or anyone else. who want to keep their videos for future viewing on high resolution screens such as 8K televisions. One of the benefits of shooting in 4K or 5K is the ability to extract high-resolution stills from video.

The GP2 also adds local tone mapping and 3D noise reduction. These enable videos with improved dynamic range and help capture clearer images in low light.

More stable video

With the GP2, the next version of HyperSmooth, the name of GoPro for its digital stabilization system integrated into the camera. With HyperSmooth 4.0, you can now apply stabilization at higher video resolutions (5.3K30, 4K60, and 2.7K120). If you’ve ever captured moving video, you’ll notice how boring the bouncing image can be to watch. Unless the movement is really violent, stabilization can help. (Note that digital image stabilization requires a bit of cropping in the image.) HyperSmooth 4.0 also improves horizon leveling, up to 45 degrees. This function allows you to keep the image level even if you tilt the camera.

Wired transfer to phone

In addition to automatic upload to the cloud while charging (a GoPro subscription is required) and wireless transfers to a phone or tablet, GoPro now gives you a third way to upload files, via a wired connection to an Android device. or iOS. This not only provides a more stable connection, but it’s also faster – GoPro claims it’s 50% faster than wireless. While wireless transfers have been one of GoPro’s strong points, a wired connection can be more convenient. (Wired transfers will also be available in Hero 9).

Other improvements

The Hero 10 features a removable lens cover which is more scratch resistant and has the ability to repel water. Since the Hero 10 is waterproof, this helps keep the lens clear. GoPro claims the new cover reduces ghosting.

Like many camera companies at the height of the pandemic in 2020, GoPro has created software to allow certain Hero models to function as webcams, which is ideal for those who work from home and need a picture of the camera. better quality than typical webcams can provide. With the Hero 10, you can shoot in 1080p with a wide field of view (132 degrees) and use the front LCD screen as a preview screen to frame your shot. (The Hero 9 also has a front color LCD display but doesn’t have that capability.) And, if you’re streaming live, you can use the Hero 10 to shoot up to 1080p with image stabilization.


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Drought conditions in Minnesota remain relatively unchanged https://meai-modelisme.com/drought-conditions-in-minnesota-remain-relatively-unchanged/ https://meai-modelisme.com/drought-conditions-in-minnesota-remain-relatively-unchanged/#respond Thu, 16 Sep 2021 14:59:40 +0000 https://meai-modelisme.com/drought-conditions-in-minnesota-remain-relatively-unchanged/ WITHOUT DATE – New data from the US Drought Monitor shows little change in drought conditions in Minnesota over the past week. Much of northern Minnesota remains in extreme drought while southern Minnesota is in either unusually dry or moderate drought conditions. Benton, Sherburne and the eastern half of Stearns County remain in severe drought […]]]>

WITHOUT DATE – New data from the US Drought Monitor shows little change in drought conditions in Minnesota over the past week.

Much of northern Minnesota remains in extreme drought while southern Minnesota is in either unusually dry or moderate drought conditions.

Benton, Sherburne and the eastern half of Stearns County remain in severe drought despite some recent rains. Parts of far western Stearns County are now considered unusually dry.

Nearly 59% of Minnesota remains at least in severe drought, almost the same as last week.

A small strip of northwestern Minnesota is still considered an exceptional drought state.

10 reasons not to move to St. Cloud

LOOK: Things from the year you were born that no longer exist

Iconic (and sometimes silly) toys, technologies and electronics have been usurped since their official entry, either through technological advancements or through breakthroughs in common sense. See how many things on this list trigger childhood memories – and which were there and gone so quickly you missed them completely.

WATCH: Here Are 30 Foods That Are Poisonous For Dogs

To prepare for a potential incident, always keep your veterinarian’s phone number handy, as well as an after-hours clinic that you can call in an emergency. The ASPCA Animal Poison Control Center also has a hotline that you can call at (888) 426-4435 for advice.

However, even with all of these resources, the best cure for food poisoning is to prevent it in the first place. To give you an idea of ​​what human food can be dangerous, Stacker has put together a slideshow of 30 Common Foods to Avoid. Take a look to see if there are any that surprise you.

KEEP READING: Here Are The Most Popular Baby Names In Each State

Using the Social Security Administration’s March 2019 data, Stacker compiled a list of the most popular names in each of the 50 states and Washington DC, based on their 2018 SSA rankings. The top five boy names and the top five first girl names are listed for each state, along with the number of babies born in 2018 with that name. Historically common names like Michael have only made the top five in three states, while the less common name Harper ranks in the top five for 22 states.

Curious about what names are trending in your home country? Read on to see if your name is in the top five or for inspiration on naming your baby.


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“My heart ached for weeks”: Osher Günsberg on losing a bass guitar and buying glasses | Australian way of life https://meai-modelisme.com/my-heart-ached-for-weeks-osher-gunsberg-on-losing-a-bass-guitar-and-buying-glasses-australian-way-of-life/ https://meai-modelisme.com/my-heart-ached-for-weeks-osher-gunsberg-on-losing-a-bass-guitar-and-buying-glasses-australian-way-of-life/#respond Wed, 15 Sep 2021 01:01:09 +0000 https://meai-modelisme.com/my-heart-ached-for-weeks-osher-gunsberg-on-losing-a-bass-guitar-and-buying-glasses-australian-way-of-life/ YesYou may know Osher Günsberg as the host of The Bachelor franchise, but this weekend he’ll be back on screen with a very different schedule. Osher Günsberg: A Matter of Life and Death, premiering at 8:30 p.m. Sunday on SBS, explores the suicide crisis in Australia. It is a subject of personal importance to the […]]]>

YesYou may know Osher Günsberg as the host of The Bachelor franchise, but this weekend he’ll be back on screen with a very different schedule. Osher Günsberg: A Matter of Life and Death, premiering at 8:30 p.m. Sunday on SBS, explores the suicide crisis in Australia. It is a subject of personal importance to the television personality.

Günsberg experienced his own battle with anxiety, depression and suicidal ideation, which he will reflect on in this feature documentary. Outside of television, Günsberg has also devoted himself to mental health issues, serving on the board of the charity Sane Australia and hosting the Better Than Yesterday podcast, a weekly conversation that aims to uplift listeners.

Being in front of the camera is part of his job, but in his spare time Günsberg likes to go behind the lens. He is an avid photographer and considers a vintage camera to be his most precious possession. Here he tells us the story of this discovery of the “Holy Grail” and talks about two other important goods.

What I would save from my house in a fire

In the mid-2000s, I came across a rare find: the Hasselblad Xpan with a 30mm lens. This is one of the real “Holy Grail” cameras; it was the first camera to give the 16: 9 aspect ratio on ordinary 35mm film. In these times when incredible digital photography is at hand on our phones, it’s easy to forget that a large area of ​​film was required to achieve a panoramic image before the images were stitched together by AI.

This camera has been with me all over the world and vice versa. This is the most remarkable travel camera you can own, in my opinion. The film format gives every frame that true cinematic quality, allowing you to capture all the action and excitement of a moment better than any other camera.

Osher holding his “Holy Grail” camera – a Hasselblad Xpan. Photography: Osher Günsberg

When you look through the viewfinder you are forced to compose an image in a way that would make you imagine you are Kubrick or Kurosawa. While you might not get that incredible visual storytelling from these masters, it’s hard to take a bad frame with this.

My most useful item

My glasses. In my mid-thirties, I noticed [my vision changing]. After a while of living in denial – increasing the font size on my devices to a point that looked like the automatic prompts I use in a TV studio – I had to come to terms with my new reality. When it came to shopping for groceries and stuff, in order to read labels to verify they were vegan, I was going to need magnification attached to my face.

I initially stumbled into the den of mall eyewear franchises before digging a little deeper and discovering the whole thing is pretty close to a racket, with almost every frame set made by the same company.

A buddy of mine got his health insurance billed $ 800 for a bunch of readers – that’s just fucking the fuck up. So I found a company called Dresden here in Australia that makes frames and lenses. In fact, the glasses I wear are made in Sydney from recycled beer keg caps, milk bottle lids and the like. I know I’m in the Guardian, but this level of virtue signaling even makes me sick. Sorry.

The article I most regret losing

A 1973 Maton JB4 fretless bass guitar. In the early 90s I worked as a roadie five nights a week, went to music school during the day and saved every dollar to buy this amazing instrument, which was great. out of my price range as a hungry student musician.

Do you know that feeling when you test a pen at the newsagent and your hand writes better because of the weight and feel of the pen in your hand? Multiply that by about a million and that’s the effect a beautiful instrument can have on your playing.

Sure, your fingers should do the right thing, but some instruments are great when you hold them and transform your abilities just by being there. It just cried in grief when you played it.

The guitar was stolen from a loading dock after a concert at the now demolished Woolloongabba Hotel in 1994. I felt sick to my stomach for weeks after it disappeared. I mourned the loss of this instrument as I mourned the loss of a loved one. I know it’s somewhere out there – the serial number was S93 if you’re wondering – and I’ve read stories of people reunited with stolen guitars years later. So I am sure that one day I will play this beautiful weeping wood again.

In Australia, support is available from Beyond Blue on 1300 22 4636, Lifeline on 13 11 14 and from MensLine on 1300 789 978. In the UK, the Mind charity is available on 0300 123 3393 and Childline at 0800 1111. In the United States, Mental Health America is available at 800-273-8255


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It’s time to stop taking pictures of sausage machines https://meai-modelisme.com/its-time-to-stop-taking-pictures-of-sausage-machines/ https://meai-modelisme.com/its-time-to-stop-taking-pictures-of-sausage-machines/#respond Fri, 10 Sep 2021 22:09:56 +0000 https://meai-modelisme.com/its-time-to-stop-taking-pictures-of-sausage-machines/ You take perfect photos. But are they the photographic equivalent of fast food? Maybe it’s time to consider changing the way you shoot and reject images of sausage machines. Jetties sink into calm waters, birds perch on rocks, beautiful women show off their perfect bodies, the interiors of decaying buildings crumble, snow-capped mountains in the […]]]>

You take perfect photos. But are they the photographic equivalent of fast food? Maybe it’s time to consider changing the way you shoot and reject images of sausage machines.

Jetties sink into calm waters, birds perch on rocks, beautiful women show off their perfect bodies, the interiors of decaying buildings crumble, snow-capped mountains in the distance are reflected in lakes and light shines on polished Porsches. If you look at any photo community website, there are thousands of technically flawless images like these. Each is a well-executed and perfectly crisp representation of the subject. They are well lit and their compositions, colors, contrasts and exposure match everything we know about photography. They have a great look.

But after going through a few pages in any genre, doesn’t each successive photograph gradually make you lose interest?

As perfect as they are technically, they no longer surprise us. I would go so far as to say that most of them are clichés, unoriginal imitations of similar photos that came before them. Every now and then one jumps out and catches your eye because it’s unique, but most fall under the category of what I call sausage machine photography.

Likewise, we appeal to our audiences by adding continuity between a chain of images, as I mentioned in my previous article on photographic essays. This usually means sticking to one type of photograph. Most great photographers are known to do just that, focusing on one genre, or at least one genre at a time.

Commercial photography of sausage machine

Of course, there is a business need for these kinds of shots: auto advertisers want to see those flashy wings, and bird identification books need distinct species shots of a sparrow sitting on a stick, or even of a puffin on a rock. Unfortunately, fashion magazines still demand perfect images of unhealthy, skinny young women with plastic-looking skin.

There is nothing wrong with trying to achieve perfection in our images. This means that with each shot, we have studied our art, learned from our mistakes and perfected our techniques. We studied the work of other photographers, then we imitated or even improved it. Indeed, I encourage everyone to seek the ability to achieve flawless photographs. However, apart from commercial interests, then we should strive to challenge our photography, try to create something different.

Obstacles to difference

It is a tall order. First, the photographic establishment expects images to be consistent with their standards. Anyone who rejects accepted standards will be pilloried for doing so. History has shown this to be true of any art form. Still, photography often seems to be stuck in the mud because a vocal conservative minority laughs at anyone who suggests approaching it differently. For example, if one dares to suggest that great photographs can be taken with crop sensor cameras, full frame fascists rush to attack.

Second, with around 1.5 trillion photos taken this year, photographing something unique becomes more difficult. Granted, only around 7% of these will be taken with digital cameras, most of which are cell phone shots, but that still represents around 105 billion photos with a DSLR, mirrorless and compact camera per year. In other words, 3,330 images are taken every second by photographers like you. With this proliferation, it’s hard to find a way to show our viewers something new as someone else is probably filming something similar at the same time.

Nonetheless, there are still good reasons to break away from repetitive perfection and obtain compelling images that fall outside the accepted standards of the photographic establishment. Not the least is the need to delight our audiences with surprises that keep them engaged in our work.

Lessons from other arts

So how do we surprise our viewers? There are lessons to be learned from other art forms, including film, television, books, and paintings.

Great photographers go further than just photographing a single genre. As some directors and cinematographers stick to a single focal length, some great photographers also limit themselves to just one. Fixed aperture and shutter values, subject distances, and other compositional variables are kept the same in their collections. In this way, they make their portfolios more coherent and, therefore, more appealing to the viewer, especially if they reject the settings most used for this topic.

Then there is the content of the image. This is where the big surprises lie.

Jump Scares, Big Reveals and Plot Twists

The hand reaches out under the bed and grabs the hero’s ankle (The Sixth Sense). The reporter looks at a photo and spots a key clue that helps solve the mystery (The Girl with the Dragon Tattoo). A murder is revealed when an image from a hidden camera is developed (Enemy of the State). We wonder what was real and what was not (Total Recall).

They could easily become a cliché in the movies, but the fear of the jump, the plot twist, and the big reveal still work. M. Night Shyamalan is a master of cinematic surprises, just like Alfred Hitchcock before him. In his written stories which were subsequently televised, Roald Dahl added a touch to the end of his Tales of the Unexpected. They shock us and are often the turning point or the climax of history. Can we incorporate these kinds of surprises into photography?

It’s not as easy as in the stories. In books and movies, revelation occurs at a point along a timeline, and individually our images are a fixed point in time.

Nevertheless, one can surprise. For example, hiding a twist somewhere in the photograph, something that we don’t immediately notice, can make an image more compelling, assuming the viewer takes the time to see it. Alternatively, it can be a surprise image at the end of a photo sequence that brings the whole series together. Adding a title to a photo can also allow the viewer to see the image differently.

Things that don’t sit comfortably together

Another approach is to put disparate subjects together. Photographing things that are out of place in their surroundings can also work. Surrealist artists, such as René Magritte and Salvador Dalí, perfected this approach in their art. I’m not suggesting that you should have melting clocks on the beach or castles floating in the sky, but mundane objects out of place can have an impact and make the viewer think.

Hide main topic

Again, the main subject of the image may be less obvious than the secondary subjects. For example, in the photo above, the mast reflection headline draws the eye to the nearest boat. We are then taken further in the image to the largest hull, top right. Only then do we realize that the real subject is relatively small and is not the boat at all.

I must reiterate that I am here distinguishing between creative and observational photographic art and commercial photography. Commercial markets demand images of sausage machines. My clients have specific expectations that meet the standards of commercial photography, and it would be foolish of me not to meet their needs. Photographers who make a living from their work know that their photos must be consistent with the expectations of the general public; most people buy bland, mass-produced pictures from Ikea to hang on their walls.

The appeal of extraordinary photography that takes effort to appreciate is not so great. But it has a much greater value. There is also room for more difficult and less usual photographs.

What do you think?

Do you take pictures that break free from clichés? It would be great to see them in the comments. Or do you only shoot standard images with mass appeal? If so, do you disagree with my premise that we should avoid the expectations of the photographic establishment? It would be great to hear your thoughts on this, even if you don’t agree with me.


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David Koonar explains the importance of traditional photographic film https://meai-modelisme.com/david-koonar-explains-the-importance-of-traditional-photographic-film/ https://meai-modelisme.com/david-koonar-explains-the-importance-of-traditional-photographic-film/#respond Tue, 07 Sep 2021 21:35:00 +0000 https://meai-modelisme.com/david-koonar-explains-the-importance-of-traditional-photographic-film/ David Koonar explains why traditional photographic film is still worth it WINDSOR, OTTAWA, CANADA, September 7, 2021 /EINPresswire.com/ – Are you interested in photography and wondering if traditional film is worth it? David Koonar digs. When was the last time you used traditional film? Unless you’re a professional photographer or a serious hobbyist, you probably […]]]>

David Koonar explains why traditional photographic film is still worth it

WINDSOR, OTTAWA, CANADA, September 7, 2021 /EINPresswire.com/ – Are you interested in photography and wondering if traditional film is worth it? David Koonar digs.

When was the last time you used traditional film? Unless you’re a professional photographer or a serious hobbyist, you probably haven’t used traditional film very often in the past few years. These days, just about everyone has a digital camera. Still, professional photographer David Koonar believes traditional film is worth using in many circumstances.

“First of all, I think we need to move beyond the ‘which is better’ debate,” suggests David Koonar, “digital and traditional cameras are great and great in different circumstances. It is not a question of one or the other but rather of finding the best solution for a given situation.

If you plan to take hundreds of photos for a large event, digital cameras will often be the best choice just because they are easier to use. While traditional film offers some aesthetic advantages, digital film is much easier to use when a large number of shots are required.

For more intimate events and circumstances, however, mainstream film can really shine. While a lot of filters and software try to mimic traditional movies, it’s hard to beat the original.

“Traditional cinema is great when you work with natural light,” says David Koonar. “On the one hand, the traditional film is often more forgiving. In addition, it is difficult to reproduce the authenticity of natural light on traditional film.

Traditional film also excels in mixing light and color. With a digital camera sensor, each photo can be broken down into small squares. These squares will usually be one color or another. Although you can combine millions of these squares to create an image, at the basic level there is still a difficult separation.

Traditional films mix more easily than digital cameras. This allows light and color to be better mixed in a way that is almost impossible with digital cameras.

“If I go into a photo shoot where color is particularly important, the natural film is very tempting,” says David Koonar. “I can use both digital film and traditional film for a given shoot, but often the best shots come with traditional film. “

Traditional film also has a very nice grain, which gives texture and color to photos. Many digital filters and software attempt to reproduce this graininess, but so far none have matched traditional films.

“You know traditional cinema when you see it,” says David Koonar. “It is practically impossible to reproduce this natural grain. “

David Koonar explains why digital film is a great place to start

You now know that it is difficult to match the aesthetics of traditional cinema. So, does this mean you should ditch digital cameras? Absolutely not! Digital cameras are great in many situations and are especially useful for beginners.

“With digital cameras, you can take thousands of shots without having to worry about film costs,” says David Koonar. “You can experiment and learn from your mistakes. I recommend all budding photographers to try out traditional film, but you should always start with digital to practice.

David koonar
David Koonar Photography
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Body cameras will likely increase workload in Maryland County https://meai-modelisme.com/body-cameras-will-likely-increase-workload-in-maryland-county/ https://meai-modelisme.com/body-cameras-will-likely-increase-workload-in-maryland-county/#respond Fri, 03 Sep 2021 22:30:48 +0000 https://meai-modelisme.com/body-cameras-will-likely-increase-workload-in-maryland-county/ (TNS) – A year after launching its Evidence Review Unit, the Frederick County State Attorney’s Office expects the unit’s workload to nearly quadruple as services police equip officers with body cameras to comply with a new state mandate. Annapolis lawmakers approved several police reform bills earlier this year, including a mandate for the state’s police […]]]>

(TNS) – A year after launching its Evidence Review Unit, the Frederick County State Attorney’s Office expects the unit’s workload to nearly quadruple as services police equip officers with body cameras to comply with a new state mandate.

Annapolis lawmakers approved several police reform bills earlier this year, including a mandate for the state’s police force to be equipped with body cameras by 2025, with a 2023 deadline for Maryland State Police.

But even before the General Assembly made the decision, the Frederick Police Department took steps to equip its force with body cameras, starting with the purchase of 18 cameras in 2016, according to a previous News article. Post. With the cameras, prosecutors had to review more evidence than they had time, and the state attorney’s office needed to establish an Evidence Review Unit, or ERU.


Inside the Frederick County State Attorney’s Office, four investigators surrounded by 12 computer screens examine hours of footage from body cameras, dash cameras, cell phones and more . They compare images to police reports, write citations, mark important points in videos for prosecutors, and protect sensitive information, among other responsibilities.

The ERU was launched as FPD expanded its body camera program in 2020. Today, FPD is equipped with nearly 100 body cameras, while the Maryland State Police in Frederick Barrack operate approximately 18 vehicles. with dashboard cameras, according to ERU chief Ricky Lewis, who is also a deputy district attorney. These devices produce an average of 225 hours of raw footage per month, Lewis said, and review by an OSFCF investigator typically takes twice the length of the footage.

With the state’s new mandate, the amount of footage will only increase as police add body cameras to their agencies.

The state attorney’s office estimates that MSP Frederick will add 35 body cameras by the July 1, 2023 deadline. Other local departments have until July 1, 2025 to equip their officers. Based on current listings within the agencies, the Frederick County Sheriff’s Office is expected to equip between 150 and 175 deputies with body cameras, the Thurmont Police Department will equip approximately 10 officers and the Brunswick Police Department will equip approximately. 15, according to FCSAO. The pilots will probably be launched before the deadlines.

Although Lewis says the unit’s startup was a “huge lift,” he and State Attorney Charlie Smith agree that they learned a lot during this time about the value of body cameras.

“Where we found the most value, from a prosecution standpoint, by far would be cases of domestic violence,” Lewis said, as well as cases of driving under the influence.

When an officer records initial statements from parties involved at the scene, Lewis said, that video can be compared to what witnesses say later. Additionally, Lewis said the video can have a remarkably different effect on a judge or jury who would otherwise only be able to hear a verbal account of what happened or see photos.

Images can also be used to hold officers accountable and provide transparency, according to Lewis and Smith.

“If an officer, you know, did something on video, but said something different in his report, we’re obligated under Brady to provide it to defense attorney,” Smith said.

Brady v. Maryland was a federal case that led to the creation of the Brady Rule, which requires prosecutors to disclose evidence to defense counsel that could benefit the accused.

“I think body-worn cameras are not only good from an evidentiary standpoint,” said Lewis, “but I think they are useful for interacting with the public, because when people are recorded in audio / video, they sometimes act a little better. “

And if an investigator noticed potentially disturbing behavior from an officer on video, Lewis said he could contact the officer’s supervisor, which Smith said could lead to further training for the officer.

Another part of the ERU’s job is to protect sensitive information. Navigating one of its three screens, investigator Billy Souders explained how it can blur a person’s face or cut off sound, known as “shielding” in the ERU. He pointed out that the original version of the images is kept intact, while the changes are made on a copy of the original. The sound may be cut off when a victim of domestic violence gives the address of where they will be staying, for example, or if the body camera captures private medical information reported in a hospital.

Souders arrived at the unit after 16 years working in the detention center, seeking a schedule change while still working in law enforcement. By 2023, Souders is likely to have at least one more colleague in the ERU, and the state attorney’s office predicts the unit will be even larger by 2025 to keep up with the deployment of the cameras. bodily.

This growth comes with costs, and not just in personnel or digital storage space. Smith and Lewis predict that the program they use to review footage will not license free indefinitely. Additionally, law enforcement agencies may want to work with different companies that provide body camera technology, and the state attorney’s office should accommodate each.

In the past, Smith has criticized the costs associated with body cameras.

“When I was first appointed to the body worn cameras commission by the government. [ Larry] Hogan, you know, I always knew there were benefits with these cameras… but the cost you were hearing was just astronomical, ”Smith said.

Last year, the county funded the state attorney’s office for nearly $ 363,000 for personnel and equipment costs for the evidence review unit.

And while Smith still thinks body cameras are expensive, he’s noticed more value from them than he expected.

“My eyes have been opened to the unforeseen benefits,” Smith said.

© 2021 The Frederick News-Post, distributed by Tribune Content Agency, LLC.


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You should be excited about the new Panasonic 24mm f1.8 https://meai-modelisme.com/you-should-be-excited-about-the-new-panasonic-24mm-f1-8/ https://meai-modelisme.com/you-should-be-excited-about-the-new-panasonic-24mm-f1-8/#respond Wed, 01 Sep 2021 02:22:53 +0000 https://meai-modelisme.com/you-should-be-excited-about-the-new-panasonic-24mm-f1-8/ For more stories like this, please subscribe to The Phobloographer. Today, Panasonic is announcing their new Panasonic 24mm f1.8 S. It’s for the Leica L-Mount – so you can use it on their full frame cameras like the Panasonic S5. We know that some people are not the biggest Panasonic S fans, but they have […]]]>

For more stories like this, please subscribe to The Phobloographer.

Today, Panasonic is announcing their new Panasonic 24mm f1.8 S. It’s for the Leica L-Mount – so you can use it on their full frame cameras like the Panasonic S5. We know that some people are not the biggest Panasonic S fans, but they have taken a big step forward with firmware updates. And if anything, this new Panasonic 24mm f1.8 S will work wonderfully on the Leica SL2, which I think is probably the best L-mount camera. Of course, it’s designed for landscape photographers. But believe it or not, you would be shocked. Panasonic provided us with portraits. This means that they are just confident in the quality of the picture.

Panasonic 24mm f1.8 Technical Specifications

  • 24mm lens

  • Maximum aperture of f1.8

  • Weatherproof like the Panasonic 50mm f1.8 and 85mm f1.8 that came before them

  • 12 elements in 11 groups

  • 3 aspherical lenses

  • 1 UED element

  • 3 ED elements

  • 9 opening blades

  • 67mm filter thread

  • 2.9 inches in diameter

  • 3.23 inches long

  • 0.68 lbs

  • $ 899, available mid-October 2021.

Below are sample images taken with the Panasonic 24mm f1.8 S and the Panasonic S5. These images were provided to us by Panasonic.

Panasonic provides exactly what the L mount needs

I am incredibly excited about the new Panasonic 24mm f1.8 S. This is what I have been wondering for a very long time. Leica offers us fairly large and heavy lenses with good image quality. They’re expensive, but they also offer one of the best build qualities I’ve seen in my career. The Leica 28mm f2 SL lives mainly on my Leica SL2. In addition, there is the image quality. Sigma believes that a lens should be big and heavy with a weather seal or light without a weather seal. Let’s not even go into their autofocus performance.

But instead, Panasonic is giving the L mount exactly what it needs. Seriously, why do Sony, Nikon and Panasonic understand this so well? All people want are fast, small, light, well-built, fast focus lenses. Sony has a whole range of them. Many of Nikon’s prime numbers are too. And the Panasonic 24mm f1.8 S will be the third entry in this series.

My only complaint? Well, I wish these lenses were made of metal. I have serious environmental concerns about this in the future, and the parts can be recycled quite easily with metal. I have yet to hear of a camera manufacturer using recycled plastics.

Let’s get back to the lens itself, however! That’s about 30 grams lighter than the Sony 24mm f1.4G Master lens. Of course, the Panasonic is not an F1.4. But I’m curious to see how it will compare. Combine this with the Live Composite mode of the Panasonic S5 and you have a fantastic camera for astrophotography. I’m curious how it compares to Sony!

Technically, this completes the trinity for Panasonic. You could easily ask for a 35mm f1.8. In fact, this is what I would have liked more than a 24mm lens. But a 24mm, 50mm, and 85mm is more or less all you need. Otherwise, you can just take a 35mm and an 85mm and be good to go. This will do most of what you need.

Since I bought both the Panasonic 50mm f1.8 and the Panasonic 85mm f1.8, I’m curious how it works. I loved the 85mm in our review! We’ll see when he reviews!


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CBAK Energy (CBAT) gains 2.51% for August 27 https://meai-modelisme.com/cbak-energy-cbat-gains-2-51-for-august-27/ https://meai-modelisme.com/cbak-energy-cbat-gains-2-51-for-august-27/#respond Sat, 28 Aug 2021 01:06:27 +0000 https://meai-modelisme.com/cbak-energy-cbat-gains-2-51-for-august-27/ Shares of CBAK Energy Technology Inc (NASDAQ: CBAT) gained 2.51%, or $ 0.08 per share, to close at $ 3.27 on Friday. After opening the day at $ 3.21, shares of CBAK Energy have fluctuated between $ 3.30 and $ 3.21. 351,389 shares traded in the hands, down from their 30-day average of 850,237. Friday’s […]]]>

Shares of CBAK Energy Technology Inc (NASDAQ: CBAT) gained 2.51%, or $ 0.08 per share, to close at $ 3.27 on Friday. After opening the day at $ 3.21, shares of CBAK Energy have fluctuated between $ 3.30 and $ 3.21. 351,389 shares traded in the hands, down from their 30-day average of 850,237. Friday’s activity took CBAK Energy’s market cap to $ 289,104,572.

About CBAK Energy Technology Inc

CBAK Energy Technology, Inc. manufactures and distributes a wide variety of standard and custom rechargeable lithium-ion batteries. The Company provides rechargeable lithium-ion batteries for use in mobile phones and various other portable electronic applications, including handset phones, laptops, digital cameras and video.

Visit the profile of CBAK Energy Technology Inc for more information.

About the Nasdaq Stock Market

The Nasdaq Stock Market is a global leader in trading data and services, as well as the listing of stocks and options. The Nasdaq is the world’s largest stock exchange for options volume and is home to the five largest US companies – Apple, Microsoft, Amazon, Alphabet and Facebook.

To get more information about CBAK Energy Technology Inc and keep up with the latest company updates, you can visit the Company Profile page here: CBAK Energy Technology Inc. Profile For more information on financial markets, be sure to visit Equities News. Also, don’t forget to sign up for the Daily Fix to get the best stories delivered to your inbox 5 days a week.

Sources: The chart is provided by TradingView based on 15 minute lag prices. All other data is provided by IEX Cloud as of 8:05 p.m. ET on the day of publication.

DISCLOSURE:
The views and opinions expressed in this article are those of the authors and do not represent the views of equities.com. Readers should not take the author’s statements as formal recommendations and should consult their financial advisor before making any investment decisions. To read our full disclosure, please visit: http://www.equities.com/disclaimer


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Best premium full frame mirrorless digital cameras for artists – ARTnews.com https://meai-modelisme.com/best-premium-full-frame-mirrorless-digital-cameras-for-artists-artnews-com/ https://meai-modelisme.com/best-premium-full-frame-mirrorless-digital-cameras-for-artists-artnews-com/#respond Mon, 23 Aug 2021 20:48:00 +0000 https://meai-modelisme.com/best-premium-full-frame-mirrorless-digital-cameras-for-artists-artnews-com/ If you want to shoot high-end professional-level images or videos, consider purchasing a full-frame mirrorless camera. These are loaded with large full-frame sensors, which provide a field of view equivalent to that of a standard 35-millimeter film camera, in other words, they don’t crop the frame. This means you are working with, among other benefits, […]]]>

If you want to shoot high-end professional-level images or videos, consider purchasing a full-frame mirrorless camera. These are loaded with large full-frame sensors, which provide a field of view equivalent to that of a standard 35-millimeter film camera, in other words, they don’t crop the frame. This means you are working with, among other benefits, higher resolution, better performance in low light or high contrast settings, and greater depth of field. While you can buy a full frame DSLR, we like mirrorless DSLRs; they tend to be more compact and also rely on electronic viewfinders, which allow you to preview your possible image in real time as you change your settings. Check out the best full frame mirrorless cameras below.

1. Canon EOS R5

The Canon EOS R5 is an exceptional camera that will suit most photographers regardless of their style, subject or level of experience. Equipped with an impressive 45-megapixel high-density sensor, it is capable of delivering razor-sharp images with rich color depth in a variety of environments, even in low-light spaces. You can also crop the results in post production without encountering any grain when you zoom in. Packed with competitive features, the R5 outperforms most other cameras for its exceptional autofocus. The system is equipped with intelligent tracking that continuously trains to track the bodies and faces of people and animals; this technology excels because the R5 has nearly 6,000 autofocus points that cover 100% of the frame. Pair it with an in-body image stabilization system that offers up to eight correction stops (most cameras offer four or five) and high-speed shooting at up to 20 frames per second , and capturing even the most animated action shots is a snap. (No wonder bird watchers in particular love the R5.) The camera also offers 8K video recording so you can capture the clearest moving images.

To buy:
Canon EOS R5

$ 3,879.00

2. Sony a9 II

Another fast shutter camera, this Sony pick is right behind the R5. Like the R5, it offers high-speed continuous shooting at up to 20 frames per second and has AI-based autofocus that can track humans and animals. However, this system has just under 700 autofocus points that cover 93% of the frame, an extremely large number of points that will successfully capture sports or wildlife scenes. Its 24.2 megapixel sensor is also smaller, but more than enough for the photographer who does not need to print gigantic photos. It’s also a great camera for videographers, capable of shooting 4K videos. Where it really beats the R5 is in battery life: you can take more than twice as many photos per battery charge as with the Canon.

To buy:
Sony a9 II

$ 4,498.00

3. Panasonic Lumix S1H

While not our top pick for photography, the Lumix S1H is probably the best mirrorless video camera you can get. In fact, it’s Netflix endorsed: the streaming service has used it as the primary device to shoot original productions. The full-frame mirrorless beast can record 6K / 24p footage and features a 24.2-megapixel camera to deliver beautifully colored images with little noise in low-light conditions. It is equipped with excellent in-body image stabilization for handheld shooting, and the weatherproof body lets you take it outdoors without worrying about rain or moisture. . In contrast, continuous autofocus is quite poor. Videographers probably won’t find this a problem, however, if they prefer to focus manually in order to have more creative control over the final product.

To buy:
Panasonic Lumix S1H

$ 3,697.99

4. Leica SL2

Minimal and aesthetically appealing, the very expensive Leica SL2 delivers on all fronts you would expect from the legendary German manufacturer. It has a 47-megapixel sensor, is equipped with 5K video and has unprecedented in-body stabilization. Of course, you have to use it with Leica glass, which will help you get amazingly sharp and extremely saturated images. The interface is also attractive: there are few buttons and knobs on the super sturdy, plastic-free body, and the ones that do exist are customizable. The only detail some photographers might find annoying is the lack of a swivel or swivel touchscreen, which prevents you from seeing what you’re shooting if you hold the body in an unconventional position.

5.Nikon Z 7II

Less expensive than the other cameras on our list, the Z 7II is a workhorse with two processes to maximize its power and processing speed. Its sensor offers 45.7 megapixels to deliver extremely clear and crisp images. The camera can also focus very well in low light conditions and shoot up to 10 frames per second. Like others in its class, it has an intelligent autofocus capable of identifying human and animal faces, although it has just under 500 autofocus points, which is less than the Canon and the Sony, but again, a still high number. This second generation model now includes two memory card slots, so you can have a backup while you shoot, and it has better video capabilities. Artists may want to consider this camera if they need incredibly detailed images for large-format printing, but can forgo fast frame rates and high-end video capabilities.

To buy:
Nikon Z 7II

$ 3,596.95


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